Prime AVSolutions
Stage & Truss Fabrication by Prime AV Solutions

Lighting & Stage

Stage & Truss Fabrication across India

Modular stages, ground support, roof systems and custom truss structures engineered with load calculations and certified rigging crews.

WhatsApp a producer
Rated 4.9/5 by 600+ event planners and brands
Lead time
T-6 weeks
Category
Lighting & Stage
Coverage
90+ Indian cities

Key takeaway

Stage & Truss Fabrication from Prime AV Solutions includes a site recce, technical drawings, transport, installation, a full rehearsal and show-day operation by our own engineers. Every brief is quoted individually.

How we deliver stage & truss fabrication

Structure is the one department where getting it wrong is not an aesthetic problem. Every stage and truss build starts from a load case: the dead load of the structure itself, the live load of performers and crew, the suspended loads of lighting, audio and LED, and — outdoors — wind load on any banner, roof or solid surface. We specify from manufacturer load tables for the exact truss type and span, with chain hoists rated well above the working load and point loads calculated per leg. Decks are Layher or aluminium framed systems with a published uniform load rating, and a performance stage is typically designed for 500 kg per square metre of distributed live load.

Ground support and roof systems are where wind becomes the governing factor. A solid or banner-clad roof is a sail, and the force on it rises with the square of wind speed, so every roof design comes with a wind management plan: a speed at which banners are removed, a higher speed at which the roof is lowered or the show stops, and a ballast or ground-anchor scheme calculated for the site's surface. Ballast is not a number we guess — concrete blocks or water ballast are specified against the structure's overturning calculation, and soft ground needs load-spreading plates or a different anchoring approach entirely.

The rigging discipline on site is what turns a design into a safe build. Hoists are inspected, chains checked for wear, steels and shackles used within rated capacity with a safety factor appropriate to lifting over people. Every hang point is bonded, every hoist is controlled from a single position, and nothing moves while people are underneath. We run a pre-show structural check after the full rig is loaded and again before doors, because a structure that was correct when empty can reveal a problem once 2 tonnes of lighting and LED is on it. The build sequence, the bolt torque, the hoist inspection and the final sign-off are all documented.

What you get

  • Layher & aluminium deck stages
  • Ground support & roof systems
  • Motorised chain hoists
  • Structural load calculations

Equipment we carry

LayherProlyteEurotrussMilosColumbus McKinnon LodestarLIFTKETTyler Truss

Ideal for

ConcertsOutdoor weddingsExhibitions
Stage & Truss Fabrication setup

Get your itemised quote

Every production is quoted to your brief. We reply within 24 hours.

Specification

Stage & Truss Fabrication: technical specification

SpecificationDetail
Deck systemsLayher Allround and aluminium-framed modular decks with published load ratings
Live load designTypically 500 kg per square metre distributed for performance stages
Truss types300 – 600 mm box and triangular truss, specified from manufacturer span and load tables
Chain hoistsElectric hoists in 500 kg – 2 t capacities, rated well above working load, inspected per build
Rigging safety factorHardware used within rated capacity with the factor appropriate to lifting over people
Roof systemsGround support and mother-grid roofs with a documented wind management plan
Wind thresholdsStaged limits for banner removal, roof lowering and show stop, set per structure and site
BallastConcrete or water ballast calculated against the overturning case, with load-spreading on soft ground
Stage heights0.6 m to 2.4 m with code-compliant stairs, handrails and edge protection
DocumentationLoad calculations, point-load report, hoist inspection records and a build sign-off

Sizing

What size rig does your event actually need?

ScaleGuestsRecommended setup
Conference stage200 – 60010 m x 6 m deck at 0.6 m, front truss on two uprights, 1 t suspended load
Wedding stage400 – 1,20012 m x 8 m deck at 0.9 m with ramps, four uprights and a decor-integrated grid
Launch stage1,000 – 3,00016 m x 10 m deck at 1.2 m, ground support grid, 3 – 5 t suspended load
Concert stage5,000 – 15,00018 m x 12 m deck at 1.8 m, roof system, PA wings, 10 – 15 t suspended load
Festival main stage20,000+24 m x 16 m with 2.4 m deck, engineered roof, mother grid, ballast and wind plan

Scope

Stage & Truss Setup scope tiers

Modular Stage

Conference and wedding stages up to 100 sq m with a front truss

  • Modular deck stage with skirting, stairs and edge protection
  • Front and side truss on uprights with load calculations
  • Point-load report issued to the venue
  • Certified rigging crew and hoist inspection records
  • Build and strike within the venue's load-in window
Most booked

Ground Support System

Concert and launch stages, 150 – 400 sq m with a flown grid

  • Ground support towers and a mother grid rated for the full rig load
  • Motorised chain hoists with a single controlled lifting position
  • Structural calculations covering dead, live and suspended loads
  • Ballast scheme calculated against the overturning case
  • Crew chief, certified riggers and a documented build sequence

Roof & Custom Structure

Festival stages, outdoor concerts and bespoke scenic structures

  • Engineered roof system with a site-specific wind management plan
  • Staged wind thresholds for banner removal, lowering and show stop
  • Ground anchoring or ballast designed for the actual surface
  • Pre-show structural checks after loading and again before doors
  • Full rigging department with a nominated competent person on site

Crew

Who turns up on show day

  • Structural designer

    Produces the load case and the calculations, specifies truss and hoist capacities and signs the point-load report.

  • Crew chief

    Owns the build sequence and the clock, and holds the authority to stop the build if anything departs from the drawing.

  • Lead rigger

    Inspects hoists and hardware, controls all lifting from a single position and signs off before anything goes to trim.

  • Stage carpenter

    Builds decks to level, fits stairs, handrails and edge protection, and closes every gap a heel or a cable could find.

  • Competent person on site

    Performs the structural checks after loading and before doors, and owns the wind management decisions on an outdoor roof.

What you receive

  • Structural load calculations covering dead, live, suspended and wind cases
  • Point-load report per leg issued to the venue or structural engineer
  • Stage and truss CAD drawing with dimensions, heights and trim
  • Hoist and rigging hardware inspection records for the build
  • Ballast or ground-anchoring scheme with the overturning calculation
  • Wind management plan with staged thresholds for outdoor roof systems
  • Signed build completion and pre-doors structural check record

Timeline

From enquiry to load-out

  1. T-6 weeks

    Load case and design

    Dead, live, suspended and wind loads established from every department's requirements, then truss and hoist capacities specified.

  2. T-4 weeks

    Calculations issued

    Structural calculations, point-load report and ballast scheme sent to the venue or the appointed structural engineer for sign-off.

  3. T-3 weeks

    Site and ground assessment

    Surface bearing capacity, levels, access routes and anchoring feasibility checked on site for outdoor builds.

  4. Show day −3 to −1

    Build

    Decks, towers, grid and roof built in documented sequence with bolt torque and hoist inspection recorded.

  5. Show day −1

    Load and structural check

    Departments load the grid, then a structural check is performed with the rig in place and again before doors.

  6. Show +4 to +24 hours

    Strike

    De-rig in reverse build order with lifting operations supervised and the area cleared of all other crew.

Risk control

What goes wrong, and how we stop it

  • What can go wrong

    Departments add lighting, LED and audio beyond the load the grid was designed for.

    How we prevent it

    A single suspended-load budget is published at T-4 weeks and every department's weight is booked against it; anything added later triggers a recalculation before it is hung.

  • What can go wrong

    A banner-clad roof becomes a sail and the structure approaches its overturning limit in a squall.

    How we prevent it

    The wind management plan sets a numeric speed at which banners come off and a higher one at which the roof is lowered, with an anemometer on site and a named person empowered to act.

  • What can go wrong

    Ballast is placed on soft or wet ground and begins to sink, taking the structure out of plumb.

    How we prevent it

    Ground bearing capacity is assessed before the build, load-spreading plates are specified for soft surfaces, and plumb is re-checked after the first night.

  • What can go wrong

    The venue quotes a rigging capacity that turns out to be an assumption rather than a calculation.

    How we prevent it

    We require written sign-off on point loads and, where it is not forthcoming, quote a ground support system that carries its own load to the floor.

  • What can go wrong

    Stage gaps and unprotected edges become an injury risk once performers and guests are moving fast.

    How we prevent it

    Deck gaps are closed and taped, edge protection and handrails are fitted to code, and the carpenter walks the whole deck surface before anyone is allowed on it.

  • What can go wrong

    Lifting continues while other crew work underneath because the build is behind schedule.

    How we prevent it

    All lifting is controlled from a single position with the area cleared, and the crew chief has explicit authority to stop a build that is being rushed.

Honest comparison

Is this the right choice for your event?

  • Ground support towers instead of flying from the venue structure
    Our verdict

    Ground support costs more and eats floor space, but it carries its own load to the floor and removes any dependence on a venue capacity you cannot verify. Where the venue has documented, engineered rigging points, flying is cheaper and cleaner.

  • Scaffold stage instead of a modular deck system
    Our verdict

    Scaffold is cheaper and infinitely adaptable, and for a long-run outdoor build on uneven ground it is often the sensible choice. Modular decks are faster, flatter, quieter underfoot and look finished without extra cladding.

  • A roof system instead of a tent or shamiana over the stage
    Our verdict

    A fabric structure is cheaper and keeps rain off people, but it will not carry lighting or audio load and its own wind behaviour is usually undocumented. If anything needs to hang above the stage, it needs an engineered roof.

  • Lower stage height to save cost and build time
    Our verdict

    Often a good call indoors where the audience is close. On a deep standing audience, a 0.6 m stage means the back two thirds see nothing, and IMAG screens become the only reason they stay — which costs far more than the deck did.

Process

How we deliver

01

Brief & recce

We visit the venue, map power and rigging, and understand your show flow.

02

Design & quote

CAD plans, 3D previews and an itemised quote within 24 hours.

03

Build & rehearse

Load-in, system tuning, content checks and full technical rehearsal.

04

Show & strike

Show-caller-led execution, then a quick, clean load-out.

Locations

Stage & Truss Setup by city

FAQ

Stage & Truss Fabrication: FAQs

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