Prime AVSolutions
Conference AV Setup by Prime AV Solutions

Conference & Broadcast

Conference AV Setup across India

End-to-end conference AV: delegate mic systems, confidence monitors, presentation switching, speaker timers and a show-caller who keeps it on time.

WhatsApp a producer
Rated 4.9/5 by 600+ event planners and brands
Lead time
T-6 weeks
Category
Conference & Broadcast
Coverage
90+ Indian cities

Key takeaway

Conference AV Setup from Prime AV Solutions includes a site recce, technical drawings, transport, installation, a full rehearsal and show-day operation by our own engineers. Every brief is quoted individually.

How we deliver conference AV setup

Conference AV is judged on intelligibility and on the clock. Speech reinforcement in a long reflective ballroom is a harder problem than concert sound, because there is no masking music and every reflection smears a consonant. We design for a measurable target — a speech transmission index of around 0.5 or better is where a room stops being tiring — using distributed loudspeakers aimed down into the seating rather than a single loud source, and delayed so sound arrives coherently from the direction of the stage. Delegate microphone systems from Bosch DICENTIS or Shure Microflex Complete handle multi-speaker panels with request-to-speak queueing and automatic mixing to limit open microphones.

The presentation chain is where conferences fail most visibly. Every deck, video and remote feed goes through a switcher with independent outputs for the main screens, the stage confidence monitors, the record feed and the stream, so changing one does not disturb another. Two mirrored presentation machines run in parallel with the operator advancing both, and a wireless presentation system handles the inevitable speaker who arrives with their own laptop five minutes before their slot. Confidence monitors downstage give presenters their current and next slide, and a countdown timer visible only to the stage is what actually keeps a six-speaker morning on schedule.

Someone has to run the day, and that is the show caller. Working from a cue-marked running order on headset comms to audio, video, lighting and the stage manager, they call every walk-on, every slide hand-off, every video roll and every break. A conference with breakout rooms multiplies this: each room needs its own projection or screen, its own microphones, its own recording, and a technician who can hold a session alone while the main hall runs. Session recordings, usually required for internal distribution, are captured per room with a clean programme audio feed rather than a camera's on-board microphone.

What you get

  • Bosch & Shure delegate systems
  • Confidence monitors & timers
  • Presentation & video switching
  • Breakout room AV

Equipment we carry

BoschShureSennheiserBarcoRoland ProfessionalBlackmagic DesignClear-ComChristie

Ideal for

SummitsAGMsDealer meets
Conference AV Setup setup

Get your itemised quote

Every production is quoted to your brief. We reply within 24 hours.

Specification

Conference AV Setup: technical specification

SpecificationDetail
Delegate systemsBosch DICENTIS and CCS 1000 D, Shure Microflex Complete with request-to-speak
Speech intelligibility targetSTI of approximately 0.5 or better across the seating area
Speech level70 – 75 dBA at the seat from distributed, time-aligned loudspeakers
Automatic mixingGating and NOM attenuation to limit simultaneously open microphones
Presentation switchingBarco E2, Roland or ATEM with independent screen, stage, record and stream outputs
Playback redundancyTwo mirrored presentation machines advanced in parallel by the operator
Confidence monitorsDownstage current and next slide, plus a stage-only countdown timer
Wireless presentationBarco ClickShare or equivalent for bring-your-own-laptop speakers
Breakout roomsIndependent screen, microphone, recording and technician per room
Session capturePer-room recording with clean programme audio, not camera on-board sound

Sizing

What size rig does your event actually need?

ScaleGuestsRecommended setup
Boardroom20 – 60Table microphone array, one display, two wireless mics, single technician
Seminar room100 – 300Four distributed speakers, one 4 m screen, four wireless mics, confidence monitor
Ballroom300 – 800Eight time-aligned speakers, centre screen plus two IMAG, delegate system for panels
Convention hall1,000 – 2,500Distributed array with delay zones, three-screen set, show caller, full comms
Multi-track summit2,500 – 5,000Main hall plus six breakout rooms, central content control, per-room recording

Scope

Conference AV Services scope tiers

Seminar Room

Single-room sessions and AGMs up to 300 delegates

  • Distributed speech reinforcement with four wireless microphones
  • Single screen with switcher and two mirrored presentation machines
  • Confidence monitor and a stage countdown timer
  • Session recording with clean programme audio
  • Audio technician and a presentation operator
Most booked

Summit Hall

Conferences and dealer meets, 400 – 1,200 delegates

  • Time-aligned distributed PA designed to a measured intelligibility target
  • Delegate microphone system with request-to-speak for panels
  • Centre screen plus side IMAG with independent output scaling
  • Show caller on headset comms across all departments
  • Full crew including audio, video, lighting and stage management

Multi-Track Conference

Multi-day summits with breakouts, 1,000 – 5,000 delegates

  • Main hall production plus three to eight independently crewed breakout rooms
  • Central content management with versioned decks across every room
  • Per-room recording and a consolidated post-event media delivery
  • Registration, signage and foyer AV integration
  • Technical producer, show callers per room and a floating engineering team

Crew

Who turns up on show day

  • Technical producer

    Owns the AV plan against the agenda, coordinates every department and is the client's single point of contact on site.

  • Show caller

    Calls walk-ons, slide hand-offs, video rolls and breaks from a cue-marked running order on headset comms.

  • Audio engineer

    Mixes speech and panels, manages the delegate system's automatic mixing and holds intelligibility over volume.

  • Presentation operator

    Collects, versions and cues every deck, advances two mirrored machines and handles late bring-your-own-laptop speakers.

  • Vision mixer

    Cuts IMAG and content to the screens and protects the stage and stream feeds from screen-side changes.

  • Breakout room technician

    Runs a room single-handed — microphones, screen, recording and the session clock — with the main hall unavailable to help.

What you receive

  • Room-by-room technical plan with equipment and crew allocation
  • Speech coverage and intelligibility measurement for the main hall
  • Cue-marked running order used by the show caller
  • Presentation standards document and the final versioned deck set
  • Session recordings per room with clean programme audio
  • Microphone allocation chart naming every speaker and panellist
  • Post-event technical report including any session that ran over

Timeline

From enquiry to load-out

  1. T-6 weeks

    Agenda and room review

    The agenda, speaker count, panel formats and room dimensions drive the system design rather than a standard package.

  2. T-4 weeks

    Technical plan issue

    Room-by-room equipment plan, screen sizes against sightlines, microphone counts and the comms plan.

  3. T-2 weeks

    Content standards and collection

    Presentation standards issued to every speaker and a deck collection deadline enforced with a named owner.

  4. Show day −1

    Build and intelligibility check

    Systems built, speech coverage measured and adjusted, every screen path proved and the recording chain tested.

  5. Show day −1 evening

    Speaker rehearsal

    Presenters walk the stage, check their deck on the actual screen and use the actual microphone they will wear.

  6. Day 1 to final day +4 hours

    Conference days and strike

    Sessions run to the called order, recordings are offloaded and checked nightly, then strike in venue-mandated order.

Risk control

What goes wrong, and how we stop it

  • What can go wrong

    A speaker arrives at the podium with an unseen deck on their own laptop two minutes before their slot.

    How we prevent it

    A wireless presentation system is live on the switcher as a permanent input, and the operator holds a laptop input already tested so the switch is a cut rather than a rebuild.

  • What can go wrong

    Panel discussions become unintelligible with six microphones open at once.

    How we prevent it

    The delegate system's automatic mixing gates unused microphones and attenuates for the number of open channels, and the moderator is briefed on request-to-speak before the session.

  • What can go wrong

    The morning overruns by forty minutes and the afternoon is compressed into chaos.

    How we prevent it

    A stage-only countdown timer and a show caller on comms, with the agreed intervention — a two-minute warning and then a hard wrap cue — agreed with the client in advance.

  • What can go wrong

    Session recordings are unusable because audio was taken from a camera's on-board microphone.

    How we prevent it

    Every recording takes a clean programme feed from the audio console, recorded on a separate device, and the first session is checked and reviewed before the second begins.

  • What can go wrong

    Breakout rooms are under-crewed and a session stalls with no technician available.

    How we prevent it

    Every breakout room gets a technician who can run it alone plus a floating engineer across the floor, because a room with a problem cannot borrow from the main hall.

  • What can go wrong

    The ballroom's reflective rear wall smears speech and delegates at the back stop listening.

    How we prevent it

    Distributed speakers aimed down into the seating with delay alignment rather than a single loud source, verified by a measured coverage check at build.

Honest comparison

Is this the right choice for your event?

  • The hotel's in-house AV instead of a production company
    Our verdict

    For a boardroom session or a single-screen seminar, in-house is cheaper, already installed and perfectly adequate. For a multi-speaker conference with IMAG, panels, recording and a running order, in-house kit and staffing are usually sized for the former and get overwhelmed by the latter.

  • Gooseneck microphones on the table instead of a delegate system
    Our verdict

    Plain goosenecks are cheaper and fine for a three-person panel in a small room. A delegate system's request-to-speak queueing and automatic mixing is what keeps a twelve-person panel in a big ballroom intelligible.

  • Projection instead of LED screens for a conference
    Our verdict

    In a darkened hall with controlled lighting, projection gives a bigger image for less money and is genuinely the right choice. The moment the room is brightly lit for cameras or the ambience the client wants, projection washes out and LED becomes necessary.

  • Running without a show caller
    Our verdict

    A single-session seminar does not need one. A six-speaker morning with videos, panels, walk-ons and a sponsor reel does — the caller is the cheapest person on the crew list and the one who determines whether you finish on time.

Process

How we deliver

01

Brief & recce

We visit the venue, map power and rigging, and understand your show flow.

02

Design & quote

CAD plans, 3D previews and an itemised quote within 24 hours.

03

Build & rehearse

Load-in, system tuning, content checks and full technical rehearsal.

04

Show & strike

Show-caller-led execution, then a quick, clean load-out.

Locations

Conference AV Services by city

FAQ

Conference AV Setup: FAQs

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