Prime AVSolutions
3D Projection Mapping Checklist: What to Confirm Before Show Day

Checklists · 7 min read

3D Projection Mapping Checklist: What to Confirm Before Show Day

A working pre-show checklist for 3D projection mapping — equipment, power, people, timings and content.

WhatsApp a producer
Rated 4.9/5 by 600+ event planners and brands
Category
Checklists
Read time
7 min
Sections
3
Updated
Jun 2026

Key takeaway

Before show day, confirm the 3D projection mapping equipment list with exact model numbers, the spares that travel with it, sanctioned power and generator changeover, rigging sign-off, named crew, the load-in and rehearsal slots, final content files and a single named show-caller. Missing any one of these causes most event AV failures.

Key takeaways

  • Exact models, not categories, on the equipment list
  • Spares for anything that would stop the show
  • Power sanction plus generator changeover confirmed
  • One named show-caller holding the cue sheet

3D Projection Mapping: pre-show checklist

Equipment & specification

  • Projector class confirmed: 20,000 – 40,000 ANSI lumens, laser phosphor or RGB laser, 3-chip DLP
  • Surface reflectance assumption confirmed: 20 – 35 per cent for stone and painted plaster, lower for dark granite
  • Typical façade budget confirmed: Approximately 250 – 400 lumens per square metre of lit surface, ambient dependent
  • Blend overlap confirmed: 10 – 20 per cent soft-edge between adjacent projectors
  • Media servers confirmed: disguise gx/vx, AV Stumpfl Pixera, Dataton Watchout
  • Itemised list naming exact models, not categories
  • Spares for mics, cables, processors and any single point of failure

Power & safety

  • Venue sanctioned load confirmed in writing against the rig's draw
  • Silent generator sized with automatic changeover
  • Earthing check completed and logged
  • Rigging certification and load calculations signed off
  • Cable covers on every walkway and crowd line

People

  • Mapping technician named and briefed
  • Media server operator named and briefed
  • Content artist named and briefed
  • Projector technician named and briefed
  • Rigger named and briefed

Timings

  • Load-in slot agreed with the venue in writing
  • Sound check and line check scheduled
  • Full technical rehearsal booked with real presenters and real content
  • Venue curfew and strike window confirmed

Content & handover

  • 3D geometry model of the mapped surface with the UV layout
  • Projector placement study with throw, brightness and coverage calculations
  • Master render of the show content at delivery resolution
  • Media server show file with timecode cues and a mirrored backup
  • All video, audio and slides delivered 72 hours ahead in the agreed format

What this checklist is protecting you from

  • What can go wrong

    Street lighting or a neighbouring building's floodlights wash the façade and the show looks grey.

    How we prevent it

    Ambient readings are taken at the show hour during the survey, and the blackout of specific street and site lights is negotiated and written into the permission before content is budgeted.

  • What can go wrong

    Content is authored before projector positions are fixed, so the animation does not sit on the geometry.

    How we prevent it

    Content production does not begin until the projector study is signed off, because the mapping is authored against those exact camera positions.

  • What can go wrong

    A projector tower settles overnight in soft ground and the whole blend is out by morning.

    How we prevent it

    Towers are built on load-spreading base plates, ballasted, and positions are physically marked so a realignment check before each show takes minutes.

  • What can go wrong

    Dust and heat in an outdoor enclosure cause thermal shutdown mid-show.

    How we prevent it

    IP-rated enclosures with filtered forced-air cooling, filters changed daily on a multi-night run, and internal temperature logged during rehearsal.

  • What can go wrong

    Brightness is calculated from lumens alone and the dark stone façade swallows the image.

    How we prevent it

    The calculation includes measured surface reflectance, not an assumed figure, and a test projection on the actual material is done at survey wherever access allows.

  • What can go wrong

    The audience ends up standing off the designed viewing axis and the 3D illusion collapses.

    How we prevent it

    The viewing position is part of the design and is barricaded or seated on site, with content checked from the extreme left and right of the intended crowd area.

Want this tailored to your event?

Get an itemised quote from Prime AV Solutions within 24 hours — call +91 93093 80958 or WhatsApp our producers.

Published 20 June 2026 by the Prime AV Solutions production team.

Get your itemised quote

Every production is quoted to your brief. We reply within 24 hours.

FAQ

3D Projection Mapping Checklist: What to Confirm Before Show Day: FAQs

Powered by IRPR(opens in a new tab)